CODICE TELLERIANO REMENSIS PDF
Detail from Lamina 37 of the Codice de Huichapan (Caso ), showing the The Codex Telleriano-Remensis provides one of the most com- pelling images. Codex Telleriano-Remensis. folio03verso Ritual calendar page showing the feast period for the shown deity, possibly Tezcatlipoca, beginning on . Codex Telleriano-Remensis. Codex Terllerianus. Codice le Tellier. BNP Ex- Le Tellier collection. Ritual-calendrical and historical. Valley of Mexico.
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Codex Telleriano-Remensis · Codex Aubin · Codex Aubin
What makes Biblio different? The use of footprints is continuous to show relationships between the many figures depicted, such as on 30r. The first section is a calendar of the eighteen twenty day ceremonies of te cdice or seasonal year.
Sign In Register Help Cart. During the process of photographing and re-binding the manuscript for this publication, two pages were accidentally swapped, and appear as such in the facsimile: Public rememsis Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 70 years or less.
This copy of Codex Telleriano-Remensis: The last folios telperiano the migration continue to focus on warfare and figurative representations, seen in folio 28v where a Mexica figure stands surrounded by those he has killed and dismembered.
Le pagine sono un racconto della migrazione avvenuta nei secoli XII-XIII, mentre il resto del codice registra eventi storici, quali l’ascesa e la morte dei re, le battaglie, terremoti ed eclissidal XIV al XVI secolo, compresi i primi accadimenti del Vicereame della Nuova Spagna.
The folios that would contain the initial Spanish conquest are also missing. tellediano
File:Telleriano-Remensis (folio 10r).jpg – Wikimedia Commons
Comparative Material Codex Telleriano-Remensis. May not contain Access Codes or Supplements. Retrieved 4 September The third section is a pictorial chronicle that spans over three and half centuries of Aztec history in three subsections. Note that a few countries have copyright terms longer than 70 years: Showing best matches Show all copies.
Description Telleriano-Remensis folio 10r. Sign up to receive offers and updates: Mexica figure who has won in battle, shown through dismembered figures, shields, the place sign showing the location of the battle, and footprints to show movement, fol.
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File:Telleriano-Remensis (folio 10r).jpg
Menu di navigazione Strumenti personali Accesso non effettuato discussioni contributi registrati entra. We know that it was in the seventeenth century collection of French bibliophile Charles-Maurice Le Tellier, archbishop and duke of Reims. University of Texas Press,Views View Edit History.
Summary [ edit ] Description Telleriano-Remensis folio 10r.
You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
The fifty pages of ivory-colored paper, whose watermarks indicate that codcie was manufactured in Genoa, could no longer tolerate the contact of hands. Si tratta della pagina 13, con Remwnsis sul recto e Nahui Re,ensis sul verso, e la pagina 19, con Tamoanchan sul recto e Codex Xolotl sul verso. Pages 25 to 28 are an account of migrations during the 12th and 13th centuries, while the remaining pages of the codex record historical events, such as the ascensions and deaths of rulers, battles, earthquakesand eclipsesfrom the 14th century to the 16th century, including events of early Colonial Mexico.
In a color microfilm was made of the Telleriano-Remensis in the possession of the Bibliotheque Nationale.
Kupriienko, Sergii ; Talakh, Viktor . Mexico has years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term.
Views Read Edit View history. The Codex Telleriano-Remensisproduced in sixteenth century Mexico on Telleriiano paper, is one of the finest surviving examples of Aztec manuscript painting.
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